Candy Bassas: Contemporary Figurative Painting Between Barcelona and Berlin
The water looks toxic. That is the point.
Candy Bassas paints pools that don’t soothe but signal, figures caught between solace and threat.
Candy Bassas paints water not as escape, but as a warning glowing in the dark.
Based in Berlin since 2019, she builds a practice across painting, printmaking, writing, and music, each medium feeding the same restlessness.
Her recent shows include the duo exhibition “El jardín” at Un Lugar by Oscar Manrique, Madrid, and the group exhibition “Addendum” at Wasserspeicher Prenzlauerberg, Berlin; recent grants include Dorothea Konwiarz Stiftung ’24 and Musicboard Berlin scholarship ’24.



Candy Bassas: On the left: Seeking Nature II and on the right: Seeking nature, 2025, 70x100 cm Oil monotype print. Images courtesy of the artist.


Candy Bassas: On left: Uncertain sense of liberty II, 2024 and on the right: Uncertain sense of liberty VII, 2024. Image courtesy of the artist.

Barcelona Roots, Berlin Restlessness
Candy Bassas was born in Barcelona, where she studied illustration and costume design at Pau Gargallo School before moving to Berlin.

Bassas has been part of the city’s independent art scene, receiving the Dorothea Konwiarz Stiftung 2023/24 grant and presenting works across small but vital galleries.


Berlin gave her a space where painting could expand into cyanotype, print, and performance.


Candy Bassas: On the left: Seeking nature IV, 2025, 70x100 cm. Oil monotype print and on the right: Seeking Nature III, 2025, Oil montype print, 70x100cm. Images courtesy of the artist

Night Pools, Toxic Greens
Bassas’ recurring subject is the figure in water.


But unlike the sunlit bathers of art history, her scenes glow in unnatural green.
Oil and ink bleed into each other, cyanotype shadows drift across the surface, creating a liquid ambiguity.


Works like Landscapes at night – Let me bleed in peace or Hunting for love read as both dream and omen.
These figures don’t pose, they listen.

Echoes That Refuse Comfort
The lineage of bathers is well worn: Gauguin’s tropics, Hockney’s pools.
Bassas cites both but bends them.


Candy Bassas: On the left: Landscapes at night - your treasures I, 2025, 24x32 cm Oil, acrylic and ink on jute and on the right: Landscapes at night - your treasures I, 2025, 60x80 cm Oil, acrylic and ink on jute


Candy Bassas: On the left: Landscapes at night - let me bleed in peace, 2025, 120x170cm Oil, acrylic and ink on canvas and on the right: Landscapes at night - go aways, 2025, 60x80 cm Oil, acrylic and ink on jute. Images courtesy of the artist
If Gauguin idealized and Hockney stylized, Bassas destabilizes.
She keeps the figure, keeps the water, but tilts them into nocturne, into liturgy.
Her pools are less paradise than ritual, less leisure than vigilance.

Surfaces That Breathe
Oil and ink on canvas, cyanotype on jute, materials that feel alive, like skin absorbing and releasing memory.


Her process leaves visible traces: layers that hold back light, pigment that stains rather than coats.
Surfaces breathe, just as her subjects seem to inhale the atmosphere around them.

Between Easel and Amplifier
Bassas is also vocalist and guitarist in the Berlin/Barcelona band Pretty Average.

The crossover matters: rhythm, repetition, refrain.


Candy Bassas: Work in progress and on the right: Exhibition view. Images courtesy of the artist
Her paintings echo the structure of a song, the way a chorus returns slightly altered each time.
The work doesn’t separate image from sound; it thrives in the feedback loop.

Why This Work Matters Now
Candy Bassas captures the atmosphere of the present: restlessness, ecological unease, and the fragile balance between escape and entrapment.

Her nocturnal greens are not just aesthetic but diagnostic, registering what it feels like to live in uncertain times.
Stay close: Follow Candy Bassas on Instagram and her band Pretty Average. Coming up: the Ghost Palace Records album release, the Affordable Art Fair Stockholm, and a solo at Galerie Mellies. All worth marking in your calendar.
More interesting Reads:

Kallirroi Ioannidou - Galerie Mellies

Kottie Paloma - About his Residence at Alzueta Gallery

Eva Krause at Galerie Mellies
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