Maria Luz: Contemporary painting and film photography of everyday objects in Lisbon
Maria Luz paints and photographs everyday urban objects with clear light and exact color, turning overlooked scenes into calm, durable images.
Maria Luz paints and photographs everyday urban objects with clear light and exact color, turning overlooked scenes into calm, durable images.
Instagram is a $71 billion ad machine that doesn't owe you anything. You're creating free content for Meta's shareholders while calling it your 'art career.' Here's what nobody tells you: most artists on Instagram will never make a living from it. But let's be honest about why.
Ask Kurt brings three highlights from our latest features. Candy Bassas, Ailyn Lee, and Jie Zhang. Three practices in painting, each extending the medium into spaces of unease, intimacy, and temporal reflection.
Artist Taylor A. White talks with Di Franco about chaos, control, and why confusion might be the most honest outcome of all. A Munchies Art Club Conversation Series.
Ask Kurt brings three highlights from our latest features. Distinct practices from Taylor Anton White, Hunter Potter, and Lisa Klinger, artists reshaping how we look, sense, and imagine. Clear voices, sharp visions.
Artist Radar: Ask Kurt brings three selections from recent features: fresh looks from Tobias Izsó, Oľga Paštéková, and Ophelia Arc, artists who shape how we see, move, and think. Contemporary voices, crisp ideas, sharp visions.
Rica Fuentes Martinez turns fungi, microbes, and cellular forms into precise ink drawings, poetic systems where invisible ecologies become visible.
At the Woods Center, Xoromat (Khoren Matevosyan) unveils a new mural that expands his universe of woven myths into a bold public art statement.
Armenian artist Khoren Matevosyan (Xoromat) blends textile craft with digital worlds, reimagining folklore for a future still rooted in tradition.
Vienna Contemporary 2025 at Messe Wien: vivid encounters, sharp installs, and discoveries Munchies Art Club carries forward.
Parallel Vienna 2025 press day at the Otto Wagner Areal unfolded like rehearsal and revelation, mixing fresh discoveries with artists already on our radar.
Slovak painter Oľga Paštéková turns stains, bleaches, and ghosted lines into wolves, rivers, and lantern-houses, lyrical eco-paintings from Bratislava & Vienna.
Austrian artist Ju Aichinger transforms everyday materials into metaphors for queerness, intimacy, and social presence.
Ophelia Arc’s visceral textile sculptures stitch trauma, memory, and feminist psychoanalysis into haunting forms.
Some Degree of Friction, part of Art Biesenthal 2025 at Wehrmuehle in Biesenthal, gathers over 30 artists in a nonlinear, rhizomatic field of sound, sculpture, performance, and image.
Maria Luz paints and photographs everyday urban objects with clear light and exact color, turning overlooked scenes into calm, durable images.
Radar No. 12 spotlights Ju Aichinger, Kumkum Fernando, and Hetty Douglas three artists shaping painting and sculpture with fragility, myth, and raw expression.
Eliane Diur paints layered oil scenes in Leipzig: a recurring avatar moves through rooms, curtains, and windows to turn looking into patient self-inquiry.
Backlinks. The word sounds painfully dull, but it is the simplest, smartest thing most artists still don’t do.
A no-fluff look at fake followers on Instagram art platforms, algorithm backlash, and why real connection still wins in the art world.
Instagram is a $71 billion ad machine that doesn't owe you anything. You're creating free content for Meta's shareholders while calling it your 'art career.' Here's what nobody tells you: most artists on Instagram will never make a living from it. But let's be honest about why.