Slovak painter Oľga Paštéková turns stains, bleaches, and ghosted lines into wolves, rivers, and lantern-houses, lyrical eco-paintings from Bratislava & Vienna.
Oľga Paštéková: A Lyrical Eco-Poetics
Oľga Paštéková (b. 1984, Slovakia) builds an artistic language where rivers, wolves, and spectral figures act less as motifs than as co-authors.
“I don’t paint landscapes; I paint conversations nature keeps having without us.
Based between Bratislava and Vienna, she studied painting at the Academy of Fine Arts in Bratislava (VŠVU) and later at the Akademie der bildenden Künste in Vienna under Daniel Richter.

Her practice spans paintings, large works on paper, and textile-based installations, often infused with ecological urgency and melancholic tenderness.


With projects such as Whispering Waters (Art Quarter Budapest residency) and her upcoming intervention at Parallel Vienna, Paštéková positions herself as a voice in contemporary eco-poetics: attentive, fearless, and quietly radical.


Olga Paštéková: Rotkäppchen, mixed media on wood, 70 × 50 cm, 2014. A lone wolf figure leans into being, scratched and stained into presence, both fragile outline and haunting shadow. (right) “Rotkäppchen,” mixed media on wood, 150 × 100 cm, 2020. Paštéková’s wolves are not monsters, but spectral citizens painted with raw immediacy and mythic charge. Photo: Richie Studio. Image courtesy the artist

The Stillness That Screams
Paštéková’s pictures operate like micro-climates.
Pigment is coaxed into fogs, eddies, and sudden clarities.





Oľga Paštéková paints wolves as guardians, ferrymen, and spectral companions — figures that walk between ruin and dream. Her canvases fold together abandoned cities, rivers at night, and carnival lights, creating worlds where myth clings to the edges of the everyday. These works vibrate between tenderness and unease, asking us to look closer at the fragile kinship we share with all living presences. Photos: Richie Studio. Image courtesy of the artist.
A wolf’s body is mostly atmosphere, defined by what leaks away; an egret glows in negative, a drawing made by the pressure of light.
Her marks, dragged, flooded, scratched, compose a syntax of weather.

Come join us at the Munchies art club!
The Whispering Waters cycle holds this language closest to the ear: mauve auroras flare over riverine textures, as if sediment itself were a storyteller.

Installation pieces, lantern-houses built from stained textiles, extend the paintings into navigable space.

We enter, and the work asks: What does shelter mean when the planet is breathing hard? Paštéková answers with careful ferocity: shelter is listening.




Olga Paštéková: Dog - God - Good, acryl and ink on canvas, 2011. Photos: Richie Studio. Image courtesy of the artist.
Eco-Poetic Themes
- River as archive; water as memory
- Animal citizens (wolves, ravens, egrets)
- Urban peripheries, post-Soviet habitats
- Stain/bleach as ecological method
- Myth as diagnostic tool, not escape


Notable Series / Visual Motifs
- Whispering Waters – aqueous violets & blues; liquid ghosting
- Sleep Tight, Sunlight – dawn/nocturne thresholds
- Fabric Houses – stained textile shelters, lantern-architecture
- Scratched graphite halos; negative silhouettes; carousel/night-fair scenes

Paštéková’s Contemporary Context
Paštéková stands at the intersection of eco-aesthetics and post-figurative painting.
She rejects catastrophe spectacle for relational poetics, where materials misbehave productively and images emerge as truces between matter and myth.

Follow the River
Follow Olga Paštéková on Instagram and and explore more on her website. Discover her latest works from the aqb Budapest residency, and don’t miss her upcoming intervention at Parallel Vienna.
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Explore the world of Olga Paštéková through her website
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