Eliane Diur: Rooms Where an Avatar Learns to See

Eliane Diur: Contemporary Painting in Leipzig

Eliane Diur treats painting as a methodical space: scenes assembled slowly in oil, surfaces soft, edges breathing, images staying legible rather than loud.

“Making art, for me, is an act of close observation… I created an avatar, a second self”

Recent exhibitions in Leipzig and Berlin brought this approach into view: a leaning, over-scaled motif was presented at Kunstraum Ortloff, a façade-like canvas stood at Tapetenwerk Leipzig, and interiors were shown at Samurai Museum Berlin. Each setting tested how titles such as No Signal or It’s Time register mood without fixing into story.

Eliane Diur: Cuckoo | Oil on canvas, 150 × 100 cm | Photo © Marie Legler | Courtesy of the artist

Eliane Diur, oil on canvas, figurative painting with house and hand, German emerging artist, Leipzig contemporary scene — **Eliane Diur:** *Mensch ärgere Dich nicht* | Oil on canvas, 40 × 40 cm | Photo © Tom Dachs | Courtesy of the artist

Born in 1996 in Bochum, Diur is based in Leipzig.

She studies Painting and Printmaking at the Academy of Fine Arts Leipzig, first with Michael Riedel and since 2024 with Ivana de Vivanco.

Eliane Diur, oil on canvas, dreamlike bedroom interior with figures and animals, Leipzig contemporary painter — **Eliane Diur:** *It’s Time* | Oil on canvas, 180 × 100 cm | Courtesy of the artist

Earlier studies in Media Design and Interactive Media Design at the University of Wuppertal inform the clear structuring of images.

Eliane Diur, oil on canvas, figurative group portrait under sky motif, German emerging artist, Leipzig 2025 — **Eliane Diur:** *Family Constellations* | Oil on canvas, 130 × 100 cm, 2025 | Photo © Marie Legler | Courtesy of the artist

**Eliane Diur:** *Studio View* | Courtesy of the artist

When Attention Holds

Eliane Diur builds paintings slowly in oil so that separate elements settle into one scene. The surfaces stay soft and patient; edges breathe.

A recurring avatar appears at human scale, moving through rooms and small props drawn from everyday life.

Eliane Diur, oil on canvas, house with figures under sky, Leipzig painter, German contemporary art — **Eliane Diur:** *Sunny Days* | Oil on canvas, 40 × 40 cm | Photo © Tom Dachs | Courtesy of the artist

The aim is not spectacle but a place to endure one’s own thoughts and keep looking.

**Eliane Diur:** *Not all Fun and Games* | Exhibition view, Kunstraum Ortloff, Leipzig | Photo © Sophia Kesting (@sophiakesting) | Courtesy of the artist

Avatar, Not Alibi

Diur calls painting an egocentric act and answers it openly: she paints a second self.

The avatar wanders, asks what objects do to perception, and turns the picture into a usable space for self-inquiry.

**Eliane Diur:** *Castle in the Woods* | Oil on canvas, 150 × 100 cm | Photo © Marie Legler | Courtesy of the artist

This is a method rather than a mask. It keeps the work honest, clear, and quietly demanding. Curtains, Windows, Doorways

Frames, curtains, and windows structure how the scene is read. They slow time, fix scale, and let unlikely things belong together on the same surface.

Eliane Diur, oil on canvas object painting, façade with curtain roof, Leipzig emerging artist, German figurative painting — **Eliane Diur:** *House without Rooms* | Oil on canvas, 135 × 90 × 64 cm | Photo © Jan Lessmann (@janlessmann) | Courtesy of the artist

*No Signal* | Exhibition view, Tapetenwerk Leipzig | Photo © Felix Pacholleck (@felixpacholleck) | Courtesy of the artist

Layer by layer, the soft application of oil fuses elements that do not meet in life into one coherent situation on canvas.

Titles as Anchors, Not a List

Certain works name these dynamics without turning the practice into inventory. No Signal reads as a calm test of attention, light held against a dark interior.

Fatal Error and It’s Time point to pressure inside ordinary settings without forcing narrative.

**Eliane Diur:** *Studio* | Courtesy of the artist

In object form, House without Rooms makes the curtain behave like architecture, while Not all Fun and Games leans into scale and play to keep the figure and its props in a measured tension.

**Eliane Diur:** *Painting in the Studio* | Photo © Jan-Niklas Behlen | Courtesy of the artist

What Remains

The pictures offer a workable stance: stay with doubt, let rooms answer back, and find a position that can be lived with.

**Eliane Diur:** *Quiet Company* | Oil on canvas, 150 × 100 cm | Photo © Marie Legler | Courtesy of the artist

Endurance replaces assertion. The result is atmosphere that holds, not a story that instructs.

Follow Eliane Diur on Instagram and visit her website. If these rooms stayed with you, share this feature with someone who cares about painting, attention, and quiet interiors.