LAURA VINOS AT ESTAMPA CONTEMPORARY MADRID 2023: AN INSIDE LOOK
Spotlight On The Vibrant Art Scene As We Showcase The Captivating Journey Of The Artist Behind 'MIRA!: NO ES UN(A) ORDEN' Exhibition At Gallery Gusto/Giner Marbella In May And Her Ongoing Solo Show In Sevilla, '¿Dónde Están Las Llaves?' At Galería Birimbao.
We've Had The Privilege Of Connecting With The Artist Laura Vinos And She's Currently Participating At The Estampa Contemporary Art Fair In Madrid, With A Group Show Curated By Yusto/Giner Gallery Marbella.
With Immense Potential And A Promising Emerging Career, This Female Artist Is One To Watch Out For.
Laura Vinós Calero, born in Santa María de Trassierra, Córdoba in 1998, is a Fine Arts graduate from the University of Seville.
She completed her studies with an Erasmus scholarship at the University of Évora in Portugal.
Throughout her career, Laura has been part of various group exhibitions, including notable showcases such as "Etcetera etcetera" at the Yusto/Giner gallery in Marbella, "GEN Z" at the WeCollect gallery in Madrid, "Iberian Contemporaries" at Fabien Fryns in Dubai, and "Jewel Quest" at B4Garage in Seoul, South Korea.
In addition to her participation in group exhibitions, Laura has also organized three solo shows, namely "La Tregua del Abecedario" at Di Gallery in Sevilla, "Mira! No es una orden" at Yusto/Giner in Marbella, and "¿Dónde están las llaves?" currently on display at Birimbao Gallery in Sevilla until October 31.
Laura has received recognition and awards in various painting competitions and scholarships, including the "I AM WITH YOU" project by Ana Barriga in Madrid and the Antonio Gala Foundation in Córdoba.
She has also attended esteemed art fairs like ESTAMPA and URVANITY Contemporary Art Fairs.
Laura currently resides and works in Córdoba, Spain.
ARTIST STATMENT:
My work starts from a symbolic imaginary – both universal and archetypal as ductile to the culture of our time – that recreates elements forming images, sometimes fragmented, built thanks to different pre-existing sources that are reborn.
These images are a long poem, a whole abundant in suggestion, which playfully incites conjectures as to what is narrated.
Painting thus moves away from the literal or illustrative, plays between meanings, winks and associations, elaborating what would be an autonomous world that also uses language as a suggestive element.
The viewer must then be a detective, never staying in the superficial reading of what he sees.
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