How does Manu GarcĂa turn play and studio debris into scenes that feel lived in?
Manuel GarcĂa Fernández builds diaristic paintings with oil, graphite, and surface memory, where intimacy and object presence blur into tactile, unsettled rooms.
Manuel GarcĂa Fernández builds diaristic paintings with oil, graphite, and surface memory, where intimacy and object presence blur into tactile, unsettled rooms.
Radar #13: Maria Luz elevates everyday Lisbon in paint and film, Seung-yeon Jung maps shared space across media, and Stefan Bakmand draws neon spore cosmologies.
Because they sell different things. Instagram sells applause, TikTok sells talk, LinkedIn sells outcomes. Use each on purpose or get used by them.
Yes. Think Neo seeing the Matrix. Once you switch it on, the noise drops and the work reads. Catapult - uncensored
Maria Luz paints and photographs everyday urban objects with clear light and exact color, turning overlooked scenes into calm, durable images.
Berlin-based painter Matthias Esch turns ornament and diagrams into humane structures, paintings where order rests on a living ground.