We share with you from our Ask Kurt Picks Taylor Anton White, Hunter Potter, and Lisa Klinger
This week we spotlight Taylor Anton White, dismantling the boundaries of painting with restless collage and layered abstraction; Hunter Potter, whose raw, folkloric canvases reframe American painting with bold immediacy; and Lisa Klinger, staging beauty as system and flesh as fact through sharp material presence.
Fresh ideas and urgent voices, these are the artists on our mind in Radar #10.
Taylor Anton White – Painting and Collage from Virginia
Taylor Anton White’s practice dismantles the definition of painting.
Spray paint, duct tape, screen print, and fabric scraps jostle across his surfaces, generating exuberant compositions that hover between chaos and control.

Loving what you see? then follow the link to read Whites interview with Di Franco
Each canvas becomes a collision of materials, humor, and urgency, affirming White’s place among a new wave of American abstraction.
His works resist categorization, simultaneously sculptural, performative, and painterly.

Recent exhibitions underscore his restless commitment to expanding the field of painting.
Follow his restless hybrid works through exhibitions and his Instagram presence.

Q&A:
What does Taylor White explore?
He works in the space where control gives way to instinct. His paintings combine figuration, abstraction, and fragments of text or image in a way that lets structure unravel. Each work becomes a negotiation between what holds together and what slips apart.
How does his material approach shape this?
He uses oil, crayon, airbrush, spray, collage, and found objects on raw canvas or panel. Elements are stapled, taped, or sewn directly onto the surface. This approach gives the work a sculptural immediacy where material decisions are visible, direct, and impossible to ignore.

Dive deeper into Taylor Anton White’s work. A Interview by DiFranco!
Hunter Potter – Painting from New York
Hunter Potter’s paintings reframe American folklore and rural iconography through monumental scale and striking color.

Explore more of Hunters work here! Don't miss out!
His canvases capture both the familiarity of everyday symbols and the surreal strangeness of their reassembly, layering bold figuration with a graphic punch that evokes myth and memory at once.

Shown across U.S. and European venues, Potter’s work embodies a directness that resists polish, preferring immediacy and raw energy over refinement.
Follow his evolving painterly fictions through exhibitions and his Instagram presence.

Q&A:
What does Hunter Potter explore?
His practice moves between painting and sculpture, where familiar symbols and cartoon-like figures are pushed into strange, mythic forms. Whether carved from wood or stretched across canvas, his work distorts recognition and makes the everyday feel charged and uneasy.
How does his material approach shape this?
He paints with oil, acrylic, and spray while also carving in walnut, ash, oak, cedar, and cherry. Vivid inlays of paduak, yellowheart, or rosewood punctuate his sculptures, while textured, brightly colored surfaces animate his canvases. Across both mediums, material is never neutral—it carries the rhythm, tone, and meaning of the work.

👉 Dive deeper into Hunter Potter’s work on his Instagram
Lisa Klinger – Installation and Mixed Media from Vienna
Lisa Klinger’s work interrogates beauty as a system and flesh as fact, staging the body as both subject and surface.

Need more? then head to Lisas artist feature
Her installations and mixed media pieces weave together consumer imagery, biological references, and performative presence, revealing how aesthetics and power entangle.
Klinger navigates fragility and provocation with precision, turning vulnerable material into sharp commentary.

Her practice that is simultaneously intimate and systemic, a confrontation with how beauty operates as discipline and spectacle.
Follow her investigations into beauty and flesh through exhibitions and her Instagram presence.

Q&A:
What does Lisa Klinger explore?
Her paintings probe the line between figure and ground and the moment a flat image begins to act like an object. Recent work shifts from abstraction toward figuration to test that threshold at a human scale.
How does her material approach shape this?
Working in oil on linen, she builds measured surfaces and crisp contours that push the canvas toward sculptural presence, letting the tension between surface and volume carry the meaning.

👉 Dive deeper into Lisa Klinger’s work

Want to know about how we select our artist? want to be a part of it? head to Ask Kurt, the answers await you and so do we!
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