“Bodies drift across her canvases like memories trying to stay.”

The Stillness That Moves

Maria Naidyonova’s paintings introduce themselves quietly, then linger with unexpected power.

The Berlin based artist recently presented the project 12 Rooms with Kewenig Gallery, had a solo exhibition at Feinart Berlin, appeared in several group shows, participated in Paper Positions with The Gallery by La Lüpertz and won first place in the Copy Paste competition by The Curators Gallery.

A mixed-media figurative beach scene by Maria Naidyonova showing nude figures gathered on sand near a picnic setup, with a seagull, fruit, a bottle of wine, and soft blue water in the background.
Maria Naidyonova: Picnic on the Lake, 120 × 140 cm, mixed media on canvas. Image courtesy of the artist.

Let's take a closer look into Maria's world, where experiences surface subtly in her mixed media practice, as drawing and painting merge into a single language.

Charcoal lines move across acrylic and pastel in ways that feel both swift and reflective.

Artist Maria Naidyonova standing beside her large mixed-media painting Metro, a dense composition of expressive overlapping faces and figures in black, white, and yellow accents.
Maria Naidyonova: Metro, 120 × 190 cm, mixed media on canvas. Photo: Valeriia Buchuk. Image courtesy of the artist.
A layered figurative composition by Maria Naidyonova featuring intimate close-ups of faces and bodies drawn in graphite, ink, and soft washes, with smaller narrative scenes scattered across the canvas.
Maria Naidyonova: This Should Stay Between Us, 75x100 cm. Image courtesy of the artist.

The classical foundation beneath the work holds steady while her attention to intimacy, emotion and social detail gives each composition a contemporary charge.

Her canvases invite the question of how painting can still carry human connection and hold it long enough for the viewer to feel it.

Gestures That Talk Before Words Do

The figures in her work often appear mid gesture as if something has just happened or might still unfold.

A hand pauses on a cheek, a shoulder leans into a body, an embrace forms and dissolves at the edges.

A gallery hallway covered floor-to-ceiling with small figurative drawings by Maria Naidyonova, creating a dense collage-like installation around a central doorway.
Maria Naidyonova: Installation view at Kewenig Gallery. Image courtesy of the artist.

An immersive installation by Maria Naidyonova showing hundreds of drawings mounted on a tall gallery wall, viewed from below toward a ceiling light.
Maria Naidyonova: Installation view at Kewenig Gallery. Image courtesy of the artist.
Artist Maria Naidyonova standing in front of a studio wall filled with taped drawings of nude figures, wearing a white shirt and looking directly toward the camera.
Maria Naidyonova: Portrait of the artist, photo: Valeriia Buchuk. Image courtesy of the artist.

These scenes feel tender and aware of their own fragility. She allows early marks to stay visible which gives the paintings a slight vibration, a sense that the bodies inside them keep shifting even when the surface is still.

Looking becomes a process of following thought before it finds language.

Maria Naidyonova working in her studio on a large graphite and mixed-media wall drawing depicting monumental intertwined figures.
Maria Naidyonova: Studio view. Photo: Anastasia Kerner. Image courtesy of the artist.
An overhead studio floor scene showing Maria Naidyonova’s tools, paint containers, black high-heeled shoes, a frame, brushes, and a bottle, indicating an active working process.
Maria Naidyonova: Studio view. Photo: Anastasia Kerner. Image courtesy of the artist.

Series as a Way of Observing People

Her practice moves through long running series that help her trace the emotional and social rhythms around her.

Friends and Lovers focuses on relationships and the small sensual or vulnerable moments that define them.

Two large expressive black-and-white figurative paintings by Maria Naidyonova, each showing layered gestural bodies in motion, displayed side by side in a gallery setting.
Maria Naidyonova: Lovers, 200 × 150 cm each. Image courtesy of the artist.

Berliners looks outward with a humorous and observational eye shaped by her encounters in the city. Rivals opens a symbolic space where meaning remains fluid.

Through these lenses she captures people in fragments, letting their behaviors, desires and contradictions sit without instruction.

A Practice Built on Drawing and Improvisation

Drawing shapes every step of her process. Pencil marks begin the conversation, then charcoal, pastel, acrylic, spray, oil or collage enter the surface as the painting develops.

A studio corner with multiple large figurative paintings by Maria Naidyonova leaning against the wall, showing intertwined bodies drawn in charcoal, graphite, and paint.
Maria Naidyonova: Studio view. Image courtesy of the artist.
Maria Naidyonova working on the floor of her studio, stretching or preparing a large canvas, surrounded by tools and unfinished figurative works on the walls.
Maria Naidyonova: Studio view. Photo: Anastasia Kerner. Image courtesy of the artist.

She moves between sketching, enlarging and improvising with a rhythm that keeps spontaneity alive. She does not treat preliminary studies as strict guides.

Instead she lets the painting respond to its own energy. This keeps the work animated, as if each figure might shift position once the viewer looks away.

A large mixed-media painting by Maria Naidyonova depicting two intertwined nude figures sharing an intimate gesture, rendered in expressive lines with warm pink and white tones.
Maria Naidyonova: Secrets, 230 × 200 cm. Image courtesy of the artist.

About Maria Naidyonova

Maria Naidyonova is a Ukrainian born Berlin based artist working across painting, drawing and animation.

She studied at the National Academy of Fine Arts and Architecture in Kyiv and later at Kunsthochschule Weißensee in Berlin where she completed her Master of Painting.

Her work brings together classical technique and contemporary sensitivity, capturing emotional nuance and the social textures of daily life.

A dynamic figurative painting by Maria Naidyonova featuring overlapping seated figures, drawn in black expressive contour lines with layered mixed-media textures.
Maria Naidyonova: Thursday, 140 × 180 cm. Image courtesy of the artist.
An ink and wash drawing by Maria Naidyonova portraying three young women at a party, rendered with loose gestural lines and minimal shading.
Maria Naidyonova: Party Girls, 29.7 × 42 cm. Image courtesy of the artist.

Why This Work Matters

Naidyonova’s work matters because it gives intimacy a form that feels honest rather than polished.

She looks at relationships, passing encounters and tensions of urban life with a precision that grows from lived observation.

A lively figurative composition by Maria Naidyonova showing a group of people gathered around a table with drinks, depicted in layered lines and expressive marks.
Maria Naidyonova: At the Party Table, 80x100 cm. Image courtesy of the artist.

The mixed media surfaces reveal how emotion collects in gestures rather than grand moments.

In a time when images move quickly, her paintings slow the viewer down and invite a longer look. They remind us that human connection is still worth holding still.

A studio interior with large figurative canvases by Maria Naidyonova placed around the room, alongside sketches, tools, and a ladder.
Maria Naidyonova: Studio view. Image courtesy of the artist.
Maria Naidyonova standing in her studio holding a long stick, positioned in front of a large gestural figure drawing on canvas.
Maria Naidyonova: Studio view. Photo: Valeriia Buchuk. Image courtesy of the artist.

A Quiet Return to the Question

Her paintings turn back to the idea that intimacy is never a fixed state. It deepens when lines overlap and softens when gestures shift.

Her figures stay open to interpretation, offering meaning as the viewer approaches.

A studio scene showing Maria Naidyonova drawing a nude model reclining on a gray sofa, with sketches and paintings scattered across the floor.
Maria Naidyonova: Studio view. Photo: Anastasia Kerner. Image courtesy of the artist.

Through this she answers the question at the center of her practice.
Painting can still capture the pulse of human connection.

It does so gently, without spectacle, and with the kind of care that lingers.


Follow Maria Naidyonova on Instagram and visit her website.

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