HAGD Contemporary: Michael Kærgaard and the Logic of Monsters

HAGD Contemporary presents Michael Kærgaard’s Mother of Many, an exhibition of stoneware figures where monstrosity, tenderness, and material force collide.
Installation view of Mother of Many by Michael Kærgaard at HAGD Contemporary, Aalborg, featuring stacked stoneware sculpture curated by rasmus Peter Fischer
HAGD Contemporary presents Mother of Many by Michael Kærgaard, Aalborg. Stoneware sculptures installed as a spatial constellation, where stacked figures, wall-mounted works, and glazed surfaces create a charged field between tenderness and threat. Kærgaard’s practice treats the monster not as an exception, but as a shared condition, materialized through clay, repetition, and controlled excess -> Image Credit Niklas Lundaard Svendsen for HAGD Contemporary

Michael Kærgaard - Mother of Many

Exhibition Preview

HAGD Contemporary, Aalborg
Curated by Rasmus Peter Fischer
February 7–28, 2026 


Mother of Many marks Michael Kærgaard’s most extensive presentation to date, unfolding as a dense constellation of glazed stoneware figures across the gallery walls. Rather than staging a linear narrative, the exhibition builds an atmosphere. Objects appear as presences, clustered yet singular, oscillating between attraction and unease. The room reads less like a display and more like a terrain populated by characters that refuse to settle into fixed roles.

Kærgaard’s sculptures operate through tension. Their surfaces are rough, porous, sometimes scarred, interrupted by holes, protrusions, and spikes tipped with gold. These details are not decorative accents but pressure points. They sharpen the figures’ expressions and pull them out of the familiar register of ceramics toward something closer to mythic artefacts or speculative relics. Humor and darkness coexist, not as contrast but as parallel forces.

Installation view of Mother of Many by Michael Kærgaard at HAGD Contemporary, Aalborg, showing multiple stoneware sculptures mounted on individual wall shelves in a spatial grid.
HAGD Contemporary, curated by Rasmus Peter Fischer. Installation view from Mother of Many by Michael Kærgaard, presenting a wall-based arrangement of individual stoneware figures.Image credit by Niklas Lundaard Svendsen. HAGD Contemporary
Installation detail of Mother of Many by Michael Kærgaard at HAGD Contemporary, Aalborg, showing small wall-mounted ceramic figures spaced across a white gallery wall
HAGD Contemporary. Installation detail from Mother of Many by Michael Kærgaard, Aalborg curated by Rasmus Peter Fischer Image credit by Niklas Lundaard Svendsen. HAGD Contemporary

Working as a self-taught ceramic artist, Kærgaard has developed his own material language through long experimentation with clay and glazes. In Mother of Many, this process becomes visible as a system rather than a backdrop.

Each figure feels like a variation within a larger organism, suggesting multiplicity, inheritance, and repetition without hierarchy. Monsters, here, are not exceptions. They are conditions.

The exhibition holds its ground by resisting explanation. It does not ask to be decoded or softened. Instead, it invites viewers to stay with the ambiguity and recognize fragments of themselves in forms that are at once strange, tender, and uncompromising.


Info
Artist: Michael Kærgaard
Exhibition: Mother of Many
Venue: HAGD Contemporary, Aalborg
Dates: February 7–28, 2026
Gallery Assistent: Veronika Botin
Image credit: Niklas Lundaard Svendsen


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