Emma Bjurström: Painting as Controlled Loss

Artist in Focus Emma Bjurström works with painting to stage controlled loss, cultural memory, and perceptual instability through material restraint and historical reference.
Emma björnström, artist in focus via Catapult - the new munchies art club in her studio
Artist in Focus with Emma Bjurström: Painting as Controlled Loss on Catapult - The New Munchies Art Club - Image and Credits permission by the Artist

Between familiarity and deformation

Emma Bjurström – Painting

Emma Bjurström is a Swedish painter born in 1986, living and working in Virrestad. Her practice is rooted in painting, but driven less by representation than by shifts in perception. Working primarily in oil on canvas, she positions painting as a site where familiarity begins to slip, where motifs drawn from cultural memory lose their stability without disappearing entirely.

Bjurström often starts from a clear sketch or historical reference, then allows the image to dissolve through intuitive improvisation. Older painting traditions, archival objects, and everyday materials are scaled, fragmented, and reassembled until they hover between recognition and uncertainty. The paintings do not narrate history, they register erosion. Loss appears not as drama, but as a quiet structural condition. Motifs are stretched, folded, or partially erased, suggesting time as a force that deforms rather than concludes.

In recent works, Bjurström incorporates digitally processed documentation of objects from her immediate surroundings. These objects are treated not as neutral forms, but as carriers of projected value and collective agreement. The tension between shared perception and personal distance becomes central. Her painting operates within this gap, producing a restrained form of magical realism grounded in material decisions rather than symbolism  artist statement.

Bjurström has exhibited with Belenius Gallery in Stockholm and Lamb Gallery, among others. Her work resists narrative clarity, insisting instead on painting as a place where time, memory, and form remain unresolved.


Emma Bjurström on Instagram


Emma Bjurström installation view with yellow abstracted painting at belenius gallery
Emma Bjurström -"Preludium" from the exhibition Someone else is breathing View Belenius Gallery Images courtesy of the artist and Belenius -> Photo: Jean-Baptiste Béranger - Image Courtesy and provided by the artist and gallery
Emma Bjurström exhibition view. large scale oil paintings. abstracted belenius gallery
Emma Bjurström "Can Can Circles" and the other big one- "Chasing Lesley". From Absentminded deformation - Photo Jean-Baptiste Béranger Image Courtesy and provided by the artist and gallery
belenius gallery exhibition view with Emma Bjurström artworks paintings, abstracted large scale
Emma Bjurström Absentminded deformation - Belenius Gallery - Exhibition - Image Courtesy and provided by the artist and gallery
ma Bjurström Timber and Stone Act of Tin Pants Artifact , installation view. paintings.
Emma Bjurström Timber and Stone Act of Tin Pants Artifact. Image Courtesy and provided by the artist and gallery
Emma Bjurström Someone else is Breathing Photo - Belenius Gallery
Emma Bjurström Someone else is Breathing Photo - Belenius Gallery -> Jean-Baptiste Béranger - Image Courtesy and provided by the artist and gallery
Emma Bjurström  - ”Everything Except Itself” - Belenius Gallery, installation view
Emma Bjurström - ”Everything Except Itself” - Belenius Gallery Photo: Ellinor Hall - Image Courtesy and provided by the artist and gallery
Details of Emma Bjurström artworks installation view from   - Everything Except Itself - Belenius Gallery
Emma Bjurström - Everything Except Itself - Belenius Gallery . Image Courtesy and provided by the artist and gallery

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