Yuma Radne and the Return of Myth in Contemporary Painting
→
How Yuma Radne brings Buryat mythology into contemporary painting, exploring identity, memory, and myth through vivid, symbolic works.
Features
Featured
How Do You Honor Tradition While Breaking It? Bob Geerts and Glenn Barkley at HAGD Contemporary
→
Geerts' tattooed paintings meet Barkley's ceramic sculptures at HAGD Contemporary, Aalborg. Curated by Rasmus Peter Fischer.
Projects
Is the Art Fair Era Cracking or Evolving?
→
2025 was the year art fairs stopped performing and started changing. Collaboration reshaped visibility and community as the art world prepared for 2026.
Catapult - uncensored
Engage, Bitches!
→
Monday Bitch #4: Posting on Instagram and vanishing? That’s not mysterious, it’s invisible. Community is currency. Speak up or fade out.
Catapult - uncensored
How does Manu García turn play and studio debris into scenes that feel lived in?
→
Manuel García Fernández builds diaristic paintings with oil, graphite, and surface memory, where intimacy and object presence blur into tactile, unsettled rooms.
Features
Who are the three artists reshaping how we see objects, bodies, and systems?
→
Radar #13: Maria Luz elevates everyday Lisbon in paint and film, Seung-yeon Jung maps shared space across media, and Stefan Bakmand draws neon spore cosmologies.
Features
Which social fits your voice today: Instagram, TikTok, or LinkedIn?
→
Because they sell different things. Instagram sells applause, TikTok sells talk, LinkedIn sells outcomes. Use each on purpose or get used by them.
Catapult - uncensored
Featured
Who Profits When Art is Resold? Spoiler: Not the Artist!
→
Visual artists don’t get royalties when their work resells, even if it sells for ten times more. Maybe it’s time that changed.
Catapult - uncensored
Featured
How necessary is a personal website as an artist? And are websites still a thing?
→
Yes. Think Neo seeing the Matrix. Once you switch it on, the noise drops and the work reads. Catapult - uncensored
Catapult - uncensored
Maria Luz: Contemporary painting and film photography of everyday objects in Lisbon
→
Maria Luz paints and photographs everyday urban objects with clear light and exact color, turning overlooked scenes into calm, durable images.
Features
Matthias Esch: Patterns that remember the body
→
Berlin-based painter Matthias Esch turns ornament and diagrams into humane structures, paintings where order rests on a living ground.
Features
Featured
Can Artists Be Replaced?
→
Let the tool make pictures. Artists make meaning. That’s non-replaceable.
Catapult - uncensored
Who gets paid when fashion says it “loves art”?
→
Often the brand banks it and calls it inspiration. The rare proper collab names and pays the artist. Same runway, two scripts, very different endings.
Catapult - uncensored
Featured
Seung-yeon Jung: Between Bodies and the Spaces They Share
→
Seung-yeon Jung builds quiet ecologies of belonging, turning distance and dialogue into painting, performance, and lived experience.
Features
The Politics of Showing Art
→
Can we separate art from politics? Why showing a Russian artist feels wrong while a Ghanaian feels right, a reflection on bias and art’s true freedom.
Catapult - uncensored
Featured
Monday Bitch #1. The Thank-You That Never Came
→
A short art-world exorcism every Monday. One thought, one scream, one deep breath after.
Catapult - uncensored
Stefan Bakmand: Neon Spores, Tender Diagrams
→
Stefan Bakmand maps a mycelial cosmology in neon and ink, where spores turn into myths and paper feels alive.
Features
Ibrahim Mahama at Kunsthalle Wien: When History Becomes Material
→
At Kunsthalle Wien, Ibrahim Mahama transforms discarded metal bowls into a monumental reflection on labor, memory, and global history.